Even better than the Real Thing? The overlooked Black music scene of 1970s Liverpool
Despite the city’s backdrop of deprivation and racism, vibrant nightclubs and daring artists thrived – but after No 1 success for the Real Thing, why was the scene ignored?Months before the Real Thing’s You to Me Are Everything became a UK No 1 hit in 1976, lead singer Chris Amoo took the unreleased song to the Timepiece, a nightclub devoted to Black music tucked in between bars on Liverpool’s Fleet Street. His DJ friend Les Spaine stuck it on, and…
Source: www.theguardian.com