Manchester Camerata review – mental torments build up to a royal meltdown
Kings Place, London A clever programme brought a mounting sense of lost grip, from Errollyn Wallen voicing the shame of Hamlet’s Ophelia, to Schumann’s fraught love declaration, and Peter Maxwell Davies’s Eight Songs for a Mad KingShouts of “Rubbish!” famously greeted Peter Maxwell Davies’s Eight Songs for a Mad King at its 1969 Proms premiere. Over half a century later, the composer’s modernist monodrama – George III the “mad king” of the title – has lost none of its feral…
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