‘So full-frontal, you feel like a voyeur for looking’: Lindsey Mendick: Where You End and I Begin review
Carl Freedman Gallery, MargateWith snogging snails, conjoined lovers and her own pug Telly as Jesus, the ceramicist sculpts a mangled mythology of her own relationshipsIf you’re worried that romance may be dead, just one look at Lindsey Mendick’s new exhibition will reassure you that it’s very much alive. It’s just a bit damaged and mangled. Well, mangled is an understatement. The English ceramicist paints a portrait of romantic love that’s mutated and twisted, gory and gross. This is love as…
Source: www.theguardian.com